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Literature Text
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When Audrey and I were little girls,
one with long legs and one with brown skin,
we would smear summer plums on our mouths
and crush walnuts with her father's baseball
signed by Tug McGraw.
As we sat on the sunburned
rooftops of suburbia and she showed
me where her kneecap had a cross-stich of
purple cuts from her first try with a pink plastic razor,
I lied about my first kiss; she knew
and let me talk of greater things.
That used to make me love her,
but it doesn't anymore.
I was thinking about Audrey and her chickens last night.
One year, when we both had boyfriends, but still had
sleepovers and compared the sizes of our breasts-
we stood in the mud of the chicken run, and watched
the hens break the necks of yellow feathered chicks.
It must really mean something when a mama goes
mad just staring at her baby who has nothing but dirt
stuck to its back.
I know I asked her why they did that;
she said "be careful, a heart is only good for you
on the inside."
Audrey had a pig, big and pink and black,
with a belly like a bagpipe, and breath you could smell through
the bedroom windows. We put that pig in the back of my truck and
drove him two hours outside of town;
then we snuck him behind the sighing fence of a farm.
I think about her pig sometimes too.
The way he sat on the earth with his chin in his hands.
In all the ways I remembered it then,
he always seemed like it was just the right fit,
that brave new land.
Now I wonder, though, how long he just lay there,
head in his hands,
waiting for us to take him back home.
When Audrey and I were little girls,
one with long legs and one with brown skin,
we would smear summer plums on our mouths
and crush walnuts with her father's baseball
signed by Tug McGraw.
As we sat on the sunburned
rooftops of suburbia and she showed
me where her kneecap had a cross-stich of
purple cuts from her first try with a pink plastic razor,
I lied about my first kiss; she knew
and let me talk of greater things.
That used to make me love her,
but it doesn't anymore.
I was thinking about Audrey and her chickens last night.
One year, when we both had boyfriends, but still had
sleepovers and compared the sizes of our breasts-
we stood in the mud of the chicken run, and watched
the hens break the necks of yellow feathered chicks.
It must really mean something when a mama goes
mad just staring at her baby who has nothing but dirt
stuck to its back.
I know I asked her why they did that;
she said "be careful, a heart is only good for you
on the inside."
Audrey had a pig, big and pink and black,
with a belly like a bagpipe, and breath you could smell through
the bedroom windows. We put that pig in the back of my truck and
drove him two hours outside of town;
then we snuck him behind the sighing fence of a farm.
I think about her pig sometimes too.
The way he sat on the earth with his chin in his hands.
In all the ways I remembered it then,
he always seemed like it was just the right fit,
that brave new land.
Now I wonder, though, how long he just lay there,
head in his hands,
waiting for us to take him back home.
Literature
simultaneous understanding.
1. days spent.
the albatross came with a wingspan
great and unending. it strayed
for a moment, getting caught
in telephone wires but managing to
break free in the end. the elephant in
the room was unmoved, whispering
"what really makes things literary
is the conceit."
2. running.
blue and red lights flash behind me.
the dark purple bruises under my eyes don't respond,
feet shuffling to comply at knocks and fingers
fumbling with getting the window down in time.
i don't look the officer in the eye as i pass him
pieces of paper i assume are correct.
the windshield is invisible if you ignored the spider
web cracks on the passeng
Literature
Uniforming.
Hope is in the guest bedroom unpacking. It takes years to unpack in the guest bedroom. Actually, it just never ends. The mismatched pairs of socks keep multiplying, and the bed never molds to your shape. It is a slab of ambiguity that ensures that no guest ever feels at home. There's a pink cardboard Kleenex box on the nightstand and ruffles around the bed frame. It looks like a carbon copy of a Pottery Barn sample guest room. Those are dying rooms, not living rooms.
Hope's brother died in the war, and they sent his armpits and toenails and nostrils back to the country in a box with a flag draped over it. He was just bits and pieces; he didn
Literature
Three
In the dusk-yellow sunshine of the desert, the morning wind is crackling like static over the sand. It breathes salt, breathes sore throats and raw skin against the red mountains. The crows are croaking again, low and harsh and rattling like the final breaths of a half-dead man.
This man is alive. He crawls spidery and long-limbed against the dirt-rimed cliffs, lost now in a patch of purple shadow. Now here he is in the sunlight, new and watery, and his skin is red and peeling, and the snatches that have fallen off flutter to the dunes below like snow. This man is alive
(alive for now)
alive for the hot cruel scratch scratch of the sun on
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i want to go back, back in time
i want to go back when you were mine.
i want to go back when you were mine.
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Comments52
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Thoroughly enjoyed the read. Well done. You seem to have aquired many comments, I am jealous. I don't even have one on my work haha. Maybe you could give me some tips on how to get your work read? Anyway, good work